Spectrasonics Trillian

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test system: MacPro W3520 (12GB RAM) | OSX 10.6.8 and 10.8.5 | Cubase 6 and 6.5 (64-bit)

I can keep this review pretty short; like its predecessor Trilogy, Trillian is THE definitive bass sample library. That said, there are certain synth bass tones in NI Massive that I prefer for some things, but as a one-stop-shop bass solution, Trillian is the business.

But as good as the synth bass sounds are, the library’s true strength is its excellent acoustic and electric basses. These are simply in a league of their own, nothing else comes close. Indeed, you’d have to have a pretty great bass-player and premium signal chain to approximate the sound quality on offer here.

Playability, too, is second to none. Most of the stuff feels lively and responsive, although I typically set a MIDI velocity limiter at value 125, to avoid trigger the slides etc. While it is cool and fun to play with, it can be distracting and somewhat restrictive in conjunction with the velocity response of my Roland Fantom X7.

Compared to Trilogy, the tweakability has been noticeably improved. Each sound has a few quick controls assigned to the most relevant parameters, but the old edit pages are still there. Multi-timbral operation is logical and intuitive, and many synth sounds really lend themselves well for exploration beyond the bass register. One of my personal faves is using the Chapman Stick as an electric guitar!

Drawbacks? Nothing much. The new acoustic and electric sounds are huge and can take up to twenty seconds to load (I run them off a dedicated 7200rpm HDD), and I often grab legacy Trilogy sounds because they load faster. Oh and you’ll need a lot of RAM for the new sounds, too.

Otherwise, I really can’t think of anything else, it is that good. Trillian is not cheap, but it sure is worth every penny.

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