test system: MacPro W3520, 12GB RAM, OSX 10.6.8, Cubase 5.5.3 (32bit) and 6.5.2 (64-bit), Avid MBox3Pro
I’m not gonna pretend to do a comprehensive review of all that Komplete 8 offers, there is a lot of stuff and I have barely scratched the surface of stuff like Absynth, Massive and Reaktor. I don’t use those all that much, so this review focuses mainly on Kontakt 5, Battery 3, FM8 and Guitar Rig.
I bought Komplete 8 mainly for Kontakt, which costs $379 alone, so it seemed like a good deal to get all the other stuff for just $120 more. And you get a LOT of stuff. Really, really a lot; more than 80GB on my HDD, which is odd as NI’s website claims 110GB, but whatever.
Anyway, the installation did not take as long as I feared so a good four hours later I was in business. Like I said, there is a LOT of stuff to wade through, and even now I haven’t heard and tried all of it. But while you get a lot of stuff, a lot of it is bloat, in my opinion. I bet much of this is to ensure backward-compatibility for longtime users, and they will undoubtedly be happy with that, but as a result a very sizable chunk of the bundle sounds dated and dusty. Again, there’s plenty of good stuff and you need not feel shortchanged because you do get value for money. But I could easily do without nearly half of it and never know the difference.
You need Kontakt as it is the de facto industry standard for third-party libraries, and it is easy to see why. It is tremendously flexible and very reliable. but man I hate the GUI. It is firmly stuck in 1990’s and in desparate need of an overhaul. While it’s a good thing that just about every parameter imaginable can be controlled and adjusted, something as simple as adding multiple outputs becomes a counter-intuitive and convoluted process.
But the new stuff is good. I LOVE the Scarbee Rhodes and Wurlitzer, easily the best of their kind. The acoustic pianos, on the other hand, are mediocre, although the New York Grand is much better than I remember it to be.
There are a few new kits with Battery 3, but -like Kontakt 5- its user interface is an exercise in frustration for new users. In fact, I remember Battery 1 to be a lot more user-friendly than the current version. I’m still trying to figure out how to change a sound’s default playback from one-shot to as-played. Probably a RTFM thing, but for me it’s easier to just open an instance of Steinberg’s simple but excellent GrooveAgentOne and do it there.
One thing I really looked forward to was the FM8, as I have always like the classic Yamaha DX7, but I find myself not using it much. And that goes even more so for the heavier synth stuff, like Absynth, Massive and Reaktor.
I’m sure that Komplete 8 is a synth programmer’s dream, but I’m a preset tweaker who needs quick results before I’m out of the zone, and as such the Komplete 8 bundle doesn’t deliver like I thought it would. There is a plenty of good stuff in there, but not more so than the much cheaper and more contemporary sounding HalionSonic.
That is not to say that Native Instruments dropped the ball here, au contraire, it’s just that Steinberg’s sound has gotten that good. However, NI’s considerable VI experience really shows in terms of efficiency, stability and reliability. Kontakt 5 easily trumps Halionsonic, Spectrasonics’ STEAM and EastWest’s PLAYv3 in this regard.
As for Guitar Rig, it’s got a gazillion good-sounding effects and I would really love to use them more, but the fact that you have to open an instance of guitar rig to get to them is somewhat of a deterrent to me. As a guy who started out on old-skool hardware, it simply does not make sense to me to open a guitar signal chain to compress a snare drum. And again, as good as GR is, it’s not distinctively better than Cubase’s own amp sim.
But with all that said, if you are serious about computer music, you can’t really afford to be without Kontakt 5, and for just $120 more, Komplete 8 is a no-brainer.